Keywords relationship, leaves, clothes, Stanley, Streetcar Named Desire of ' Streetcar' What does the scene tell us about the relationship between Stella and . The A Streetcar Named Desire characters covered include: Blanche DuBois, Stella and finds out the details of her past, destroying her relationship with his friend Mitch. Stella's union with Stanley is both animal and spiritual, violent but renewing. After Blanche's arrival, Stella is torn between her sister and her husband. In a “Streetcar Named Desire”, by Tennessee Williams, there were many worries in Stella and Stanley's relationship. Stella was physically.
Nevertheless, they still make love at that night. Steve and Eunice have similar situation. Yet, there are still have some differences between these two couples. Because the interference of Blanche, Stella shares the opinion from Blanche.
ReneeBelville: The Abusive Relationship!
She has the same background and views as Blanche. Consequently, she can't endure so much violent behaviors from Stanley. For example, she ran to Eunice's house when Stanley beats her. She hates Stanley joke to her in front of other people. She against Stanley because she want to support her sister.
Meanwhile, Stanley also feels threatened because of Blanche.
The relationship between Stella and Stan
So he will give the ticket to Blanche at the end. He tries his best to expel Blanche. Although Stanley is brutish, he really loves and needs Stella.
Hence, he tries his best to protect his marriage. The relationship between Blanche and Stanley: In the scene two, we can know that Blanche was flirting to Stanley. However, I think it's just a way she treats to men.
She just wants to make friends with him. Or she wants to be more familiar with him.
However, we can see the relationship between Stanley and Blanche are always very tense. Stanley always wants to know the truth of Blanche's past. He even tells Mitch the truth about Blanche.
Because he afraid that Blanche will take away Stella, he looks Blanche as a dangerous intruder.
In the scene four, Blanche persuade Stella to leave Stanley. She clearly points out the difference between the old Southern values and the ugly world, which Stanley inhabits.
This clearly has a condescending illocutionary force, and is bolstered by the address term "baby" - this has a sexist illocution, that she is infantile and dependent upon him, as well as its sexual connotations.
In a patriarchal society s AmericaStanley feels the need to use societal attitudes to support his claims, which presents him as insecure his claims are not strong enough to hold up on their own. The use of formal, complex lexis such as the polysyllabic noun-phrase "Napoleonic code" and its incongruity in Stanley's simulated naturalistic dialogue also foreground a sense of stupidity, or at least intellectual deficiency, in his discourse and his obliviousness to this.
Stella attempts to reassert dominance in the discourse by interrupting Stanley's tirade his speech is cut short "of property-" and using the exclamation "my head is swimming! In this speech, Stella subtly conforms to the patriarchal expectation of a confused, uninformed woman to satisfy Stanley's ego - she does not have to argue with him rationally.
This is ironic as it both diminishes and empowers Stella in the relationship - she is able to control Stanley, by conforming to his desires; this is a key theme throughout their relationship in the play, sexually specifically. Stanley and Stella both place prosodic emphasis on certain phrases to express their anger and impatience, which adds to the growing tension and potential sexual subtext in the scene - an effect Williams often achieves via 'Plastic Theatre'.
For example, Stanley emphasises the past-participle "swindled" which has connotations of weakness and lack of pride, at odds with Stanley's macho self-image - he does so in order to cast blame externally. Stella style-matches to this by calling him an "idiot" and prosodically stressing the pronoun-verb-phrase "I'm" - this stresses her agency the use of present tense also emphasises this and subsequent power in the relationship, but also shows how Stella comes to resemble Stanley. Like him, she shouts and orders towards the end of the extract, and this emphasises a key cause of Blanche's tragic fall in the play - Stella has become like Stanley, she has modernised, urbanised and adapted to the patriarchal expectations of men like Stanley, whereas Blanche hasn't, she still perceives herself as a Southern Belle.