streaming | Applian Technologies Blog
See more. from YouTube . John Martyn "Solid Air" (Live) rhein-main-verzeichnis.infoe Stream Meet Me There by Nick Mulvey from desktop or your mobile device. British indie pop artist Nick Mulvey shares a paired down performance video . rhein-main-verzeichnis.info-field-fake-author::after,.post-splash-custom I hope hearing these acoustic versions gives the lyrics more space to be even more direct. n\uc/p\ue\ucp\ue\n\tWas there more to Cheney's decision to. Watch + record Talk Nerdy to Me on YouTube. 4. in the market is Pandora, arguably the first and one of the best, streaming services out there. .. Nick Mulvey.
When each individual track concludes, it starts again re-configuring differently with the other tracks. He has presented this music in his own art and sound installations and those in collaboration with other artists, including I Dormienti The SleepersLightness: They produced the album Original Soundtracks 1which reached No.
In Eno scored the six-part fantasy television series Neverwhere. The album differs from his s solo work due to the impact technological advances on musical production, evident in its semi-electronic production.
In early Eno collaborated with David Byrne again, for the reissue of My Life in the Bush of Ghosts in celebration of the influential album's 25th anniversary. This allowed listeners to remix and upload new mixes of these tracks to the website for others to listen and rate them. As its title suggests, there is a possible combination of 77 million paintings where the viewer will see different combinations of video slides prepared by Eno each time the program is launched.
Likewise, the accompanying music is generated by the program so that it's almost certain the listener will never hear the same arrangement twice. The second edition of "77 Million Paintings" featuring improved morphing and a further two layers of sound was released on 14 January Three Tales of Chemical Romance.
He also appeared playing keyboards in VoilaBelinda Carlisle 's solo album sung entirely in French. In NovemberEno released Luxa minute composition in four sections, through Warp. This was released on 30 June In a statement Eno commented on the unnamed half-hour piece: They float in silence, for space has no air, nothing to vibrate — and therefore no sound. Nonetheless we can't resist imagining space as a sonic experience, translating our feelings about it into music.
In the past we saw the universe as a perfect, divine creation — logical, finite, deterministic — and our art reflected that. The discoveries of the Space age have revealed instead a chaotic, unstable and vibrant reality, constantly changing. This music tries to reflect that new understanding.
As well as singing on the track, Eno co-wrote and produced it. The single was released on the band's own record label La Folie Records on 30 September. It was nominated for a Grammy Award for 's 60th. From the beginning of his solo career inEno was in demand as a record producer. Eno describes himself as a "non-musician", using the term "treatments" to describe his modification of the sound of musical instruments, and to separate his role from that of the traditional instrumentalist. His skill at using "The Studio as a Compositional Tool"  the title of an essay by Eno led in part to his career as a producer.
Inhe amongst others composed and performed the "Prophecy Theme" for the David Lynch film Dune ; the rest of the soundtrack was composed and performed by the group Toto. Eno produced performance artist Laurie Anderson 's Bright Red album, and also composed for it.
The work is avant-garde spoken word with haunting and magnifying sounds. Eno played on David Byrne's musical score for The Catherine Wheel, a project commissioned by Twyla Tharp to accompany her Broadway dance project of the same name. Producer Tony Visconti used an Eventide Harmonizer to alter the sound of the drums, claiming that the audio processor "f—s with the fabric of time.
Even though films are listed and described for each song, all but three are bogus.
He is credited for "frequent interference and occasional co-production" on their album Whiplash. Eno played on the album Measure for Measure by Australian band Icehouse. InEno provided one of several remixes of " Protection " by Massive Attack originally from their Protection album for release as a single. Also inhe worked with Grace Jones on her album Hurricanecredited for "production consultation" and as a member of the band, playing keyboards, treatments and background vocals.
InEno and Coldplay reunited and Eno contributed "enoxification" and additional composition on Coldplay's fifth studio album Mylo Xylotoreleased on 24 October of that year. Eno's connections to other progressive rock music artists The Microsoft Sound[ edit ] InMicrosoft designers Mark Malamud and Erik Gavriluk approached Eno to compose music for the Windows 95 project.
Nick Mulvey - "Mountain to Move" live (video) (premiere)
The idea came up at the time when I was completely bereft of ideas. I'd been working on my own music for a while and was quite lost, actually.
And I really appreciated someone coming along and saying, "Here's a specific problem — solve it. It's like making a tiny little jewel. In fact, I made eighty-four pieces. I got completely into this world of tiny, tiny little pieces of music.
I was so sensitive to microseconds at the end of this that it really broke a logjam in my own work. Then when I'd finished that and I went back to working with pieces that were like three minutes long, it seemed like oceans of time.
I've never used a PC in my life; I don't like them. He started experimenting with the medium of video in Eno describes the first video camera he received, that would initially become his main tool for creating ambient video and light installations: I'd never really thought much about video, and found most 'video art' completely unmemorable, but the prospect of actually owning a video camera was, at that time, quite exotic.
This led to his works being filmed in vertical format, requiring the television set to be flipped on its side to view it in the proper orientation. I call them 'video paintings' because if you say to people 'I make videos', they think of Sting's new rock video or some really boring, grimy 'Video Art'.
It's just a way of saying, 'I make videos that don't move very fast. His video works were shown around the world in exhibitions in New York and Tokyo, as well as released on the compilation 14 Video Paintings in Eno gives the example of wind chimes. He says that these systems and the creation of them have been a focus of his since he was a student: With the advent of CDs he developed systems to make music of indeterminate duration using several discs of material that he'd specifically recorded so that they would work together musically when driven by random playback.
Nick Mulvey | Revolvy
In he began working with the company Intermorphic to create generative music through utilising programmed algorithms. The Koan software made it possible for generative music to be experienced in the domestic environment for the first time. Further music releases using Koan software include: Released excerpts[ edit ] Eno started to release excerpts of results from his 'generative music' systems as early as with the album Discreet Music.
Then Idrakie made several errors — maybe trying to finish off the points too quickly rather than build the rally.
- This Week in Folk
- Aberdeen qualifiers on TRAC
- Applian Technologies Blog
Mulvey back in it Then more errors from Idrakie, and Mulvey edges ahead and takes the game The fourth was nip and tuck with both players trading good length and tight drops, but towards the mid stages of the game some nice holds by Idrakie and again a few errors from Mulvey gave Idrakie a small lead — always 1 point ahead. Another tight drive earns another game ball. Volley drop winner and takes the first A scrappy start to the second game with a lot of nothing balls chipped into the front with Kev seemingly distracted by a couple of calls by the referees.
Kev looked to have tired his opponent, with Crouin looking slightly off the pace at the start of the third game, however a few delicately placed drops from the back saw Crouin draw level at However the pace that Kev was playing at was starting to be the undoing of the young Frenchman; Crouin becoming more and more stretched with every rally but thanks to a couple of errors fromKev, manages to get himself back in the game and finds himself up!
Takes the game ! Disaster, Kev has a shocker of a start to the fourth game going down! Then finally manages to find away to get the ball past the racket of Crouin, and claws his way back into the game slowly but surely. A up Kev hits a lucky nick and the ball bounces away from the racket of Crouin — match ball! No errors, solid length and width, and a very occasional drop.
Stuart seemed to struggle with this style of play going 6 points behind very quickly. At down Stuart seemed to get into the game more and the rallies extendedhowever damage done. Much better start from Stuart in this game, hitting more aggressive length and getting the ball deep into the back of the court, however some cheap tins and strokes allowed Uherka to creep ahead to Converts on the second attempt. The start of the second saw a several with Bonmalais looking to hit down on the ball and make his length die and he took an early lead.
Again at the start of the third it was Bonmalais that started better, hitting more solid length and width and getting more opportunities to take the ball in short, forcing Conroy into all four corners of the court. However a few wild errors at the mid stages of the game saw Conroy draw level.
Bonmalais ran away with the fourth Tense stuff in the fifth. Both players trying to play it tighter, wider, shorter, longer. Some excellent retrieval from both players, and some great variation. The game went to and froe as each player managed to get a few short runs of points.
Massive rallies fromBonmalais earns a match ball, Conroy saves it! Straight drive, taxi and another match ball for Bonmalais, takes the game and match.Meet Me There
Bonmalais won, 75 mins Robert Downer Eng vs  Tristan Eysele Rsa This match started in a much more traditional fashion. Up and down the walls play with only the occasional ball sent to the front, to then inevitably to be sent straight to the back again. As the game went on the T position of each player edged further and further back, yet still neither player was willing to try and take the ball in short!
Game 2… Will someone please use the front half of the court?! Yes… Both players have completely switched their games.