H2Oooohhhhhh: The Motif of Water in WILLIAM SHAKESPEARE’S ROMEO + JULIET | Reel Club
Australian director Baz Luhrmann's film, Romeo + Juliet, is neither the This scene self-consciously strives for poetry, in much the same way where the star-cross'd lovers meet, their meaning is not immediately clear. Shakespeare (edited by Brian Gibbons) published by Routledge (). .. Look closely at the scene where Romeo and Juliet meet at the masked ball. Why are. Romeo and Juliet first meet when they're hanging out in the bathrooms It's funny to think this was the first scene Danes and DiCaprio shot together— as a .. sure this film was popular during the winter of and beyond.
Building off the sink used moments before, water continues to serve as a repeated symbol of truth. In seeing each other through the water they are seeing each other clearly; not unfiltered, rather filtered as water is of the chaos and affected atmosphere surrounding them.
Moreover, a particularly nice touch by Luhrmann is the way he shots Romeo and Juliet looking at each other through the aquarium. This shot is significant because it suggests Juliet finally sees herself and her own wants and desires in her love for Romeo; in some way, in seeing Romeo for the first time Juliet is also seeing herself for the first time. As the scene continues Romeo enters and the two end up in the pool professing their love for one another.
Once again, as with the sink and aquarium, the water removes the pretense; in the water Romeo is not simply a Montague and Juliet a Capulet.
Romeo + Juliet Opening - video dailymotion
Reality is clearer and simpler when water is present. As the plot continues, Tybalt John Leguizamo and Mercutio begin their fatal fight at the beach and Romeo enters their argument already in progress. In this scene and the one to follow the meaning of water as a motif of truth and clarity becomes more apparent.
On stage or on the screen, Brando is often seen as magnetic and engaging, as well as haunting and foreboding, depending on the movie.
Romeo + Juliet Opening
The idea of such a strong presence in this film is pretty exciting, as it surely was for Luhrmann at the time. But between all that, a couple things happened. Additionally, Luhrmann himself sent some clips of the movie to the bandas he wanted them to compose exit music for the film. For many, there exists a perception that only a certain kind of people and person are allowed to enjoy and understand Shakespearean works. Luhrmann, who had seriously studied Shakespeare previously, knew Romeo and Juliet was highly accessible to everyone, and knew he could put it in a highly stylized present and make it work for people.
His adaption is one that actually shows up in schools as a result of keeping Shakespearian prose while also setting the action in a time more like our present. A variety of advertisements and signs all over Verona Beach are actually references to other Shakespeare works. Another fun one is the name of the pool hall Romeo and Benvolio visit: Water, then, seems to be another one of the many metaphors for love; transparent and pure and beautiful.
This is apparent when Romeo murders Tybalt, who falls into a previously unseen artificial pond. As Romeo absorbs the magnitude of his actions, a storm rolls in an actual hurricane, in fact, one that demolished the beach set.
The sky opens up — water marking tragedy, love begetting violence. What to Watch Next As mentioned, Romeo and Juliet demands adaptations — and that demand has been well and truly met by filmmakers.
Leonard Whiting and particularly Olivia Hussey are excellent in the lead roles, but the film belongs to John McEnery, who plays Mercutio with a charismatic flair and intensity that outshines all competitors. His fateful dual with Tybalt Michael York is funny, thrilling and heart-breaking all at once.
The cast looks impressive on paper, but even these talented thespians produce dismal work; only Paul Giamatti acquits himself respectably as Friar Lawrence. Worth watching as an example of how not to adapt Shakespeare. Each weaves a simple story about love around garish emotions and flamboyant visuals. Cheat Sheet To mark the 25th anniversary of Australian classic 'Proof', we revisit Jocelyn Moorhouse's brilliant and moving drama about trust and identity.
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