San Francisco Symphony - Articles & Interviews
Joachim was, understandably, enraged, and he broke off his personal relationship with Brahms, though he continued to play his music; the two did not speak for. Brahms and the violinist Joseph Joachim had been inseparable since He broke off relations with Brahms—although, committed artist that he. Twenty-five years later, when consulted by Brahms, Joachim was more self- assured though ence in relationship: toward Schumann he had felt like a disciple.
If not, I shall start asking questions: Would you like to see a copy of it? I am in the middle of copying the solo parts; would you and Hausmann [Brahms had hoped from the beginning that the soloists in the premiere would be Joachim and Robert Hausmann, the cellist in Joachim's quartet] take the trouble to see if they are playable?
Would you consider trying the work over somewhere with Hausmann and me at the piano, and later in whatever town you prefer, with an orchestra and ourselves? Joachim agreed to Brahms' proposals.
On July 26th Brahms sent him the solo parts and asked for his advice. Five days later the violinist replied, "Herewith I am posting you the parts with some proposed minor alterations with which I hope you will agree.
It is very playable, generally. What's to be done now?
Hausmann and I are most anxious to get on with it. I have some queer news to tell you about myself. I have had the happy notion of writing a concerto for fiddle and cello. If it is a success we shall have great fun with it Unfortunately Joachim has given up composing. It is quite a different thing writing for instruments whose character and sound one can only incidentally imagine than for an instrument which one knows thoroughly-as I do the piano.
Clara reassured him concerning his ability to compose for strings "In my opinion, anyone who has written such symphonies, such sonatas for violin and cello, may be said to understand the capacity of the instruments, to have discovered their hidden secrets"and volunteered her home as the site of the rehearsals.
The principals gathered there on September 21st, and they spent two days polishing the score and becoming familiar with its details. She was married to the composer Robert Schumann, and the pair had seven young children. On the other hand, for more than a year, Clara's husband had been in an asylum and Clara had not been allowed to see him.
When Robert fell off the edge, Brahms had hastened to her side. Now Brahms, Robert's protege and discovery, was helplessly in love with Robert's wife.Joseph Joachim - Brahms' Hungarian Dance No.2 (1903) (RARE!)
They had not expected it, didn't want it, and so on. Brahms loved and admired Robert. Shortly before jumping in the Rhine to escape the demonic oratorios in his head, Robert had made the name Brahms known across Europe, declaring this student from Hamburg the coming saviour of German music.
Brahms, meanwhile, was living with Clara and the children - his bedroom on a separate floor, to be sure, but spending most of his time consoling her, helping with the children, and going nearly out of his mind with yearning. In those years Brahms was slim, beardless and drop-dead handsome. Gossip was sizzling in musical circles. Clara was yearning mightily, too, but as with Brahms her feelings were tangled up with anxiety and guilt. Robert and Clara had been, after all, the supreme musical romance of the Romantic period.
Clara was the love of Robert's life, his prime musical champion, the heroic force that had held together his splintering mind longer than anyone could have imagined. After a protracted decline, Robert died inwhereupon Brahms and Clara were free to declare their passion, to marry.
The couple went on holiday to Switzerland to sort it all out. Exactly what he said to her we will never know, but it amounted to this: I'm off to Hamburg.
Write if you get work. Clara put him on the train, staggered home, and told her journal: Clara took up her performing career with a vengeance; it was her solace and, she would tell Brahms, "the very breath of my body".
Joseph Joachim - Wikipedia
There are more ironies in this first and greatest, if not precisely last, love of Brahms's life. If he would not marry Clara, neither would he marry anybody else - in his heart he could never leave Clara, nor she him. For the rest of their lives they would maintain their strange but inescapable connection.
They spent holidays together.
The Violin Shop: Joachim and Brahms - It was a love hate sort of thing
They hugged and kissed. Their love may never have been consummated. This may seem absurd. Thanks for your support!
This is your number. Brutally self-critical about his own work and exceptionally shy when it came to his personal life, Brahms sought to preserve his legacy by keeping his private thoughts out of the grips of unforgiving historians. He burned countless early works and sketches—in fact, he burned everything he composed before he turned 19, and that includes at least 20 string quartets.
From personal letters to pink slips, doodles to receipts, Brahms left behind virtually no paper trail. In the late s and early s, he went as far as to recall letters from friends he had written to over the years. Clara Schumann, his closest friend, potential lover, and confidant, to whom he wrote countless letters over their year friendship, reluctantly returned his letters, knowing full well Brahms intended to destroy an important, albeit deeply personal, piece of 19th century European musical history.
They suspect that this aversion stemmed from his experiences as a boy playing piano for sailors and prostitutes alike in Animierlokale arousal pubs in his hometown of Hamburg. While the accuracy of these stories is disputed, they are nonetheless an integral part of the picture Brahms chose to paint of himself and his apparently troubled childhood.
Max Friedlaender, an acquaintance of Brahms, attended a birthday party for the composer in After multiple glasses of champagne, the conversation turned to an admired woman known to everyone at the gathering. The party quickly broke up after this sobering outburst and Friedlaender was tasked with walking the now heavily intoxicated Brahms back home.
In their conversation, Brahms broke out in another rant: You expect that of a man cursed with a childhood like mine! And these half-clad girls, to make the men still wilder, used to take me on their laps between dances, kiss and caress and excite me.